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من فات قديمه تاه
 

min fat adimo ( proverb) -2010
Acrylic on canvas
100 x 70 cm
Reproduction poster Details >>>

من فات قديمه تاه

 

 

إكفى القدرة على فمها تطلع البنت لأمها

Ekfy el adra ( proverb) -2010
Oil on canvas
60 x 80 cm
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إكفى القدرة على فمها تطلع البنت لأمها

 

 

 

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WORLD OF ART
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Tel:02 235 94 362
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KAHILA
قاعة كحيلة - المهندسين
15ش البطل أحمد عبد العزيز
Mohandessin
 15batal Ahmed abdel aziz st
 Mobile:0122 864 75 11


 


 

 

 


 

 

 

 


لماذا يفضل أن نقتنى لوحة تشكيلية أصلية غير مطبوعة

السر كله فى كلمة  "  أصلية " .........
و من ضمن ما تعني هذه الكلمة هو :( التفرد والحميمية), وأتصور أن هاتان الكلمتان تلخصان الكثير من القيم الإنسانية الخالدة .... فكما أن الله تعالي واهب الحياة وصانع الجمال وبنفحة من روحه عز وجل قد أنعم علي البعض من بني البشر موهبة الإبداع والإبتكار, فبدوره قد وضع هذا الفنان علي أرض الواقع لمحه من روحه ولمسة إبداعية صنعتها أيديه مستعينا بكل ما حباه الله من خيال وإلهام وتأمل ومحاكاة, ومن هنا ينبع الشعور بالأصالة والحميمية عند إقتنائك للوحة فنية أصلية... لأنك بهذا الإقتناء قد حويت بين يديك قطعة من روح صانعها وتستطيع أن تلمس بيديك كل جزء فوق سطح اللوحة من هذه الأجزاء التي تعايش معها الفنان ودار بينه وبينها العديد من الصراعات والمحاولات المضنية لإكتشاف أنسب الحلول الفنية, باحثا عن أفضل صورة لخروج هذا (الجنين الفني) إن صح التعبير إلي النور ... إنها مسألة قريبة الشبه من عملية الميلاد : فالفنان مع ميلاد عمل فني جديد يخوض نفس تجربة الألم والمعاناة والفرحة بخروجه إلي النور كما لو كان مولود .

والفرق كبير بين أن أقتني لوحة مستنسخة من آلة طباعة تم طباعة آلاف النسخ منها وبين أن أتفرد بإقتناء لوحة غير مكررة وتحتوي علي عبق ورائحة وملمس التجربة الفنية التي خاضها الفنان في واقعه الملموس بين جنبات مرسمه وعلي حامل لوحاته.

هو الفرق بين " الأصيل"  و  " الإستهلاكي
 وبين  "الحميمية" و  " السوقية

 الحوائط الصماء تثير في النفس الإحساس بالبرودة  و الخرس والعجز, أما الأخري تلك التي تحمل فوقها خلاصة التجربة الإبداعية الإنسانية هي الجديرة بالتأمل والعشرة والإحترام .

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المدرسة الشعبية و الفن التشكيلى

إن الفنون التشكيلية فى العصر الحديث بدأت فى مصر متأثرة بالتعاليم والمناهج الأوروبية, على يد الأساتذة الإيطاليين والفرنسيين فى كلية الفنون الجميلة فى بدايتها فى القاهرة .

وكذلك من خلال البعثات الخارجية وبسبب هذا التأثير الأوروبى على الفنون التشكيلية فى مصر بداية من الحملة لفرنسية والبعثات الأوروبية فى عهد محمد على باشا ثم أساتذة الفنون الجميلة... فقد أصبح
الطريق إلى إيجاد بصمة مصرية صميمة محفوفا
بالصعاب والتحدى.
للمزيد >>>

 

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The
FOLK-NAIVE style
In
PLASTIC ART


naive art or na´ve art - The style of naive painting is characterized by a careful, simplifying approach, non-scientific perspective, bright colors, and often, an enchantingly literal depiction of imaginary scenes. Although not following any particular movement or aesthetic, naive painters have been a continuing international phenomenon and influence since the beginning ot the twentieth century. The term usually refers to works produced by artists (also called naifs or na´fs) who had no formal training. Some trained artists, however, have deliberately affected a naive style. Among the artists whose work may be called naive, Henri Rousseau  (French, 1844-1910) is the most famous. His nickname, "Le Douanier," refers to his employment as a toll-collector when he took up painting as a spare-time occupation. Rousseau's simplicity and naivety were notorious, his paintings childlike, non-naturalistic, and brightly colored. His pictures are appealing in their directness and depth, and in some ways are very sophisticated, their design and colors worked out in great detail. Their apparent affinity with non-Western art and their bold expressive qualities made them appealing to the early modernists searching for new forms of expression.

The plastic arts in the modern age started in Egypt, affected by the teachers, the European curricular and the Italian, French professors in the Faculty of Fine Arts in Cairo.

And also through the external delegations
...

Because of this European effect on the plastic arts in Egypt starting from the French campaign And the European delegations in Mohamed Ali basha's time then the fine arts pioneers meet the way to find a true Egyptian print, surrounded by difficulties and challenges .

Placed on many of the first pioneers shoulder from the artists such as Ragheb Ayyad (1892-1982) and Mahmoud Said (1897-1964) was the task of
rediscovery of the Egyptian identity. They found in the local identity through the history the inspiration of the local history roots.

So, because of this generation
; an original style appeared on the arts theatre which we can call " The folk-naive arts school "

It is an artistic style looking for the plastic painting in its content, its message and its styles the technical through the view of local extended identity related to the history before the European effects.

This identity takes its character from traditions, the lines miniatures of the Islamic and the traditions drawings of the old Egyptian Arts.

We find that the popular school in the plastic art is characterized by:

- The freedom of expression in the movement of bodies, hands and legs.

- The overcrowded
elements formations as it is clarified for example in the ancient Egyptian art from artistic solutions like the combing ( many single blocks arrangement besides the other ) .

- The neglect of perspective and the care for the side in drawing persons and animals.


- The distribution of elements and topics on the painting surface disregarding the measures and the sizes of the perspective rule.



This artistic traditions in the East is distinguished by them on the history comparing by the western drawings .

This way allowed the artists of the Popular school to increase the drawn elements in the narrow area that the painting allows, and these features are considered from landmarks majority popular and Naive artists works.

It becomes clear that the Popular and Naive style in the plastic art
in Egypt has the deep feeling of the heritage, the remoteness from the subordination of the western effects.

Nabil Lahoud belongs to this Popular and Naive style in the expression
. Find in his paintings the true Egyptian life element as appearing in its popular side heading for the society bottom by an expressive style that may be marked by the irony sometimes and by the remoteness from the philosophy, the arrogance and the cold academic consideration .

Nabil Lahoud has headed in his paintings for the environment around him by a natural eye and spoke a colloquial language that all understands using heartily style, childish lines and some of exaggerations sometimes that a little linguistic and direct alphabet were formed.

His lines are distinguished in the paintings
by strength and defining by the direct color away from the prosperous softness and non- necessary such as the most popular drawings through the history and the children drawings details .

He derives in some of his paintings some common popular proverbs.

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