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السر كله فى كلمة "
أصلية " .........
و
من ضمن ما تعني هذه الكلمة هو :(
التفرد والحميمية), وأتصور أن هاتان الكلمتان تلخصان الكثير من
القيم الأنسانية الخالدة .... فكما أن الله
تعالي واهب الحياة وصانع الجمال وبنفحة من روحه عز وجل قد أنعم علي البعض
من بني البشر موهبة الإبداع والإبتكار, فبدوره قد وضع هذا الفنان علي أرض
الواقع لمحه من روحه ولمسة إبداعية صنعتها أيديه مستعينا بكل ما حباه الله
من خيال وإلهام وتأمل ومحاكاة, ومن هنا ينبع الشعور بالأصالة والحميمية عند
إقتنائك للوحة فنية أصلية... لأنك بهذا الإقتناء قد حويت بين يديك قطعة من
روح صانعها وتستطيع أن تلمس بيديك كل جزء فوق سطح اللوحة من هذه الأجزاء
التي تعايش معها الفنان ودار بينه وبينها العديد من الصراعات والمحاولات
المضنية لإكتشاف أنسب الحلول الفنية, باحثا عن أفضل صورة لخروج هذا (الجنين
الفني) إن صح التعبير إلي النور ... إنها مسألة قريبة الشبه من عملية
الميلاد : فالفنان مع ميلاد عمل فني جديد يخوض نفس تجربة الألم والمعاناة
والفرحة بخروجه إلي النور كما لو كان مولود .
والفرق كبير
بين أن أقتني لوحة مستنسخة من آلة طباعة تم طباعة آلاف النسخ منها وبين أن
أتفرد بإقتناء لوحة غير مكررة وتحتوي علي عبق ورائحة وملمس التجربة الفنية
التي خاضها الفنان في واقعه الملموس بين جنبات مرسمه وعلي حامل لوحاته.
هو الفرق
بين " الأصيل" و "
الإستهلاكي
وبين
"الحميمية" و
" السوقية
الحوائط الصماء تثير في النفس الإحساس
بالبرودة
و الخرس
والعجز, أما الأخري تلك التي تحمل فوقها خلاصة التجربة الإبداعية
الإنسانية هي الجديرة
بالتأمل والعشرة والإحترام .
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المدرسة
الشعبية
و الفن التشكيلى
إن الفنون التشكيلية فى العصر الحديث بدأت فى
مصر
متأثرة بالتعاليم والمناهج الأوروبية, على يد الأساتذة الإيطاليين
والفرنسيين فى كلية
الفنون الجميلة فى بدايتها فى القاهرة .
وكذلك من خلال البعثات الخارجية وبسبب هذا التأثير الأوروبى على الفنون
التشكيلية فى مصر بداية من الحملة لفرنسية والبعثات الأوروبية فى عهد محمد
علىباشا ثم أساتذة الفنون الجميلة... فقد أصبح
الطريق إلى إيجاد بصمة
مصرية صميمة محفوفا
بالصعاب
والتحدى.
للمزيد
>>>
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The
FOLK-NAIVE style
In
PLASTIC ART
naive art
or naïve art - The style of naive
painting is characterized by a careful, simplifying approach,
non-scientific perspective, bright colors, and often, an enchantingly
literal depiction of imaginary scenes. Although not following any
particular movement or aesthetic, naive painters have been a continuing
international phenomenon and influence since the beginning ot the
twentieth century. The term usually refers to works produced by artists
(also called naifs or naïfs) who had no formal training. Some trained
artists, however, have deliberately affected a naive style. Among the
artists whose work may be called naive,
Henri Rousseau (French,
1844-1910) is the most famous. His nickname, "Le Douanier," refers to
his employment as a toll-collector when he took up painting as a
spare-time occupation. Rousseau's simplicity and naivety were notorious,
his paintings childlike, non-naturalistic, and brightly colored. His
pictures are appealing in their directness and depth, and in some ways
are very sophisticated, their design and colors worked out in great
detail. Their apparent affinity with non-Western art and their bold
expressive qualities made them appealing to the early modernists
searching for new forms of expression.
The plastic arts in the modern age started in Egypt,
affected by the teachers, the European curricular
and the Italian,
French professors in the Faculty of Fine Arts in Cairo.
And also
through the external delegations...
Because of this
European effect on the plastic arts in Egypt starting from the French
campaign And the European delegations in Mohamed Ali basha's time then
the fine arts pioneers meet the way to find a true Egyptian print,
surrounded by difficulties and challenges .
Placed on many of the
first pioneers shoulder from the artists such as Ragheb Ayyad
(1892-1982) and Mahmoud Said (1897-1964) was the task of
rediscovery of the Egyptian identity. They
found in the local identity through the history the inspiration of the
local history roots.
So, because of this generation; an
original style appeared on the arts theatre which we can call " The
folk-naive arts school "
It is an artistic style
looking for the plastic painting in its content, its message and its
styles the technical through the view of local extended identity related
to the history before the European effects.
This identity takes its character from traditions,
the lines miniatures of the Islamic and the traditions drawings of the
old Egyptian Arts.
We find that the popular school in the
plastic art is characterized by:
- The freedom of expression in the movement of bodies, hands and
legs.
- The overcrowded elements formations
as it is clarified for
example in the ancient Egyptian art from artistic solutions like the
combing (
many single blocks arrangement besides the
other ) .
- The neglect of perspective and the care for the side in drawing
persons and animals.
- The distribution of elements and
topics on the painting surface disregarding the measures and the sizes
of the perspective rule.
This artistic traditions in the East is distinguished by them on
the history comparing by the western drawings .
This way allowed
the artists of the Popular school to increase the drawn elements in the
narrow area that the painting allows, and these features are considered
from landmarks majority popular and Naive artists works.
It becomes clear that the Popular and Naive style in the plastic art
in Egypt has the deep feeling of the heritage, the
remoteness from the subordination of the western effects.
Nabil Lahoud belongs to this Popular and Naive style in the
expression. Find in
his paintings the true Egyptian life element as appearing in its popular
side heading for the society bottom by an expressive style that may be
marked by the irony sometimes and by the remoteness from the philosophy,
the arrogance and the cold academic consideration .
Nabil
Lahoud has headed in his paintings for the environment around him by
a natural eye and spoke a colloquial language that all understands using
heartily style, childish lines and some of exaggerations sometimes that
a little linguistic and direct alphabet were formed.
His lines
are distinguished in the paintings by strength
and defining by the direct color away from the prosperous softness and
non- necessary such as the most popular drawings through the history and
the children drawings details .
He derives in some of his
paintings some common popular proverbs.
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